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c. 1445 – May 17, 1510. Italian painter.

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Tobias Verhaeght
Landscape with john the Evangelist Writing the Book of Revelation on the Island of Patmos

ID: 29218

Tobias Verhaeght Landscape with john the Evangelist Writing the Book of Revelation on the Island of Patmos
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Tobias Verhaeght Landscape with john the Evangelist Writing the Book of Revelation on the Island of Patmos


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Tobias Verhaeght

1561-1631 was a painter and draughtsman active in Antwerp, Florence and Rome. Primarily a landscape painter, his style is indebted to mannerist world landscapes of artists like Joachim Patinir with high viewpoints, fantastic distant perspectives and three-colour scheme. Before Verhaecht entered Antwerp's guild of St. Luke in 1590?C91, he had already spent time in Italy, first in Florence, and then as a fresco painter in Rome. Peter Paul Rubens, who was a relative by marriage, studied with him around 1592, and another student was his own son, Willem van Haecht.   Related Paintings of Tobias Verhaeght :. | Rest. | Sketch of jJ.W.Waterhouse for The Bank and Royal Exchange | Portrait of Mme Manet on a Blue Sofa | Portrait of Anne of Clevers,Queen of England | Last Words of the Emperor Marcus Aurelius |
Related Artists:
Arellano, Juan de
Spanish Baroque Era Painter, 1614-1676 Spanish painter. He was the pre-eminent painter of flower-pieces in 17th-century Spain. Although Spaniards of the previous generation had painted such works, it was the inspiration of Flemish and Italian examples in Madrid that from c. 1650 encouraged Arellano's success as a specialist in this genre. According to Palomino, who moved to the Court shortly after the artist's death and befriended many painters who had known him, Arellano began to paint flowers only in his thirties after a beginning that showed little promise.
C. Grunewald
paint Portrait of Bertha Wehnert-Beckmann German photographer in 1858
James Hamilton
Irish-born American Painter, 1819-1878, American painter of Irish birth. He emigrated to the USA and at the age of 15 arrived in Philadelphia, where he was encouraged to study art by the engraver John Sartain (1808-97). Hamilton had drawing lessons with local teachers and studied from English artists' manuals including that on oil painting by Samuel Prout; he was also influenced by the English watercolour technique of broad transparent washes. With these stylistic interests and his innate sensitivity to nature,






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